投影仪的光束在与屏幕相遇时保持一定的角度，并继续前进，引入体积和光线，就像恰好经过一个世纪前的巴黎、开罗和威尼斯一样。在影片中途通过隧道时，红色闪光会提示将单片式Pulfrich滤镜从右眼前切换到左眼前（保持双眼睁开）。

The hour-long programmes will explore the transformation of music during this period – an age of political and industrial change - where music cemented its reputation as a leading art form and an integral part of people’s lives. The series shows how composers of this age, no longer restricted by aristocratic patronage following the fall of Europe's elite after the French Revolution, began to experiment musically in a way that hadn't been seen before. The pioneering methods and ground-breaking works of the likes of Beethoven, Wagner, Chopin, Verdi, Schubert, Berlioz and Liszt sparked a musical transformation which changed the face of music forever.

London Paris New York is a film that captures the angst of the twenties, the most dramatic period of one's life - when you have to find a career; you have your first significant relationship and most importantly form your identity in this world. 　　 　　 　　 　　This is story about Lalitha, a middle class south Indian girl from Chembur (an eastern suburb in mumbai) who is on her way to New York to study politics with full scholarship, and Nikhil, a punjabi, rich kid from Bandra (a posh western suburb of Mumbai - read new money) who is going to study Film Making in London on 100% dad's money. They decide to hangout together one evening in London and find that they are completely drawn to each other even as their future lies on separate continents. 　　 　　 　　 　　The film follows their personal journey and their love story as they meet in London, Paris and New York for a night each over eight years. The film is in three chapters and each chapter will be shot in a manner that mirrors the mental state of Nikhil and Lalitha.. The three bridges on the three rivers - Thames, Seine and Hudson witness the three states of love. 　　 　　 　　 　　Music is integral to the film and takes form according to the moods. The three cities also give a dramatic canvas to create different exciting themes. Pop -Romance in London. Electronic Sufi in Paris. Blues-rap in New York. Blended in with Indian true bollywood style.The dialogues are natural and fresh and you get a sense that you are eavesdropping on these two characters. The film is romantic but not sentimental in the least. Even though there are discussing a lot of meaningful stuff, the film is always underpinned by humour.

London Paris New York is a film that captures the angst of the twenties, the most dramatic period of one's life - when you have to find a career; you have your first significant relationship and most importantly form your identity in this world. 　　 　　 　　 　　This is story about Lalitha, a middle class south Indian girl from Chembur (an eastern suburb in mumbai) who is on her way to New York to study politics with full scholarship, and Nikhil, a punjabi, rich kid from Bandra (a posh western suburb of Mumbai - read new money) who is going to study Film Making in London on 100% dad's money. They decide to hangout together one evening in London and find that they are completely drawn to each other even as their future lies on separate continents. 　　 　　 　　 　　The film follows their personal journey and their love story as they meet in London, Paris and New York for a night each over eight years. The film is in three chapters and each chapter will be shot in a manner that mirrors the mental state of Nikhil and Lalitha.. The three bridges on the three rivers - Thames, Seine and Hudson witness the three states of love. 　　 　　 　　 　　Music is integral to the film and takes form according to the moods. The three cities also give a dramatic canvas to create different exciting themes. Pop -Romance in London. Electronic Sufi in Paris. Blues-rap in New York. Blended in with Indian true bollywood style.The dialogues are natural and fresh and you get a sense that you are eavesdropping on these two characters. The film is romantic but not sentimental in the least. Even though there are discussing a lot of meaningful stuff, the film is always underpinned by humour.

纽约作为美国贸易、工业和文化中心，自二十世纪以来一直稳居美国第一大城市的宝座。本片从几亿年以前的板块运动开始讲起，介绍了这片土地的形成过程。并讲述了纽约如何从一个被欧洲人发现的小港口，通过土地填埋，街道规划，建设摩天大楼和地下基础设施变为一个吸引百万人口的世界级超级大都市。

个性害羞的巴黎单身汉，发现一首20 年代的古老神曲，歌谱有着神奇的魔力，若两人同时聆听歌谱旋律，便可坠入爱河。他偶遇一见钟情的女子，不惜一切代价，甚至为了找歌原主曲的歌谱，一路追到纽约。

个性害羞的巴黎单身汉，发现一首20 年代的古老神曲，歌谱有着神奇的魔力，若两人同时聆听歌谱旋律，便可坠入爱河。他偶遇一见钟情的女子，不惜一切代价，甚至为了找歌原主曲的歌谱，一路追到纽约。

影片通过六个章节来描述这个在1943年几乎遭到纳粹完全歼灭的塞萨洛尼基犹太群体的生活状态，以及他们所受到的威胁。过去和现在的交替构成了一个宽大的回音室，身处其间的观众将会体验到那令人惊骇的疯狂人性。

影片由三个短片构成——《魔法（比魔法更不真切）》《开着的门》《再来一次》。女性角色的多重性和镜像性是滨口之前的作品中的主题，在他的新作《偶然与想象》中也是如此。前作《欢乐时光》和《夜以继日》，从字面上看，颇有小说的味道，而《偶然与想象》则可以说是一部短篇小说集。叙事节奏 更强化了这一印象：三集，每集围绕一个女性角色展开，又分为三幕。三个短片讲述了一个意想不到的三角恋、一场未遂的诱惑和一个因误会而相遇的故事。尽管零散，但仍保持了有机的叙事流程，甚至还强调了这一点。虽然大部分的动作都发生在一个空间里，而且只有两个演员参与，这部电影却不让人觉得像一出室内剧。这不仅仅是由于对话的缘故，还在于其复杂的时空概念，最后一集几乎变成了科幻片。我们所见证的时刻都与感人的普遍命运相连，以选择、遗憾、欺骗和巧合为标志，它们是影片真正的主角。